Folk art is now widely recognized as an integral part of the modern Chinese cultural heritage, but in the early twentieth century, awareness of folk art as a distinct category in the visual arts was new. Internationally, intellectuals in different countries used folk arts to affirm national identity and cultural continuity in the midst of the changes of the modern era. In China...(展开全部)

This book is a path-breaking study of print culture in early modern China. It argues that printing with both woodblocks and movable type exerted a profound influence on Chinese society in the sixteenth and seventeenth centuries. The book examines the rise and impact of print culture from both economic and cultural perspectives. In economic terms, the central issues were th...(展开全部)

This book is a path-breaking study of print culture in early modern China. It argues that printing with both woodblocks and movable type exerted a profound influence on Chinese society in the sixteenth and seventeenth centuries. The book examines the rise and impact of print culture from both economic and cultural perspectives. In economic terms, the central issues were th...(展开全部)

This book is a path-breaking study of print culture in early modern China. It argues that printing with both woodblocks and movable type exerted a profound influence on Chinese society in the sixteenth and seventeenth centuries. The book examines the rise and impact of print culture from both economic and cultural perspectives. In economic terms, the central issues were the pri...(展开全部)

In this illuminating book, a prominent art historian explores the links between avant-garde art and modern mass culture, showing that the connections between the two have always been strong, and even necessary to both. The author recounts vivid episodes involving Jackson Pollock, Andy Warhol, Christopher Williams, and many others, arriving at fresh and original insights into mo...(展开全部)

In this illuminating book, a prominent art historian explores the links between avant-garde art and modern mass culture, showing that the connections between the two have always been strong, and even necessary to both. The author recounts vivid episodes involving Jackson Pollock, Andy Warhol, Christopher Williams, and many others, arriving at fresh and original insights into mo...(展开全部)

Beginning with agoraphobia and claustrophobia in the late nineteenth century, followed by shell shock and panic fear after World War I, phobias and anxiety came to be seen as the mental condition of modern life. They became incorporated into the media and arts, in particular the spatial arts of architecture, urbanism, and film. This "spatial warping" is now being reshaped by di...(展开全部)

Beginning with agoraphobia and claustrophobia in the late nineteenth century, followed by shell shock and panic fear after World War I, phobias and anxiety came to be seen as the mental condition of modern life. They became incorporated into the media and arts, in particular the spatial arts of architecture, urbanism, and film. This "spatial warping" is now being reshaped by di...(展开全部)

The collapse of China’s Qing dynasty coincided roughly with discoveries that helped revolutionize views of infectious disease. Together, these parallel developments generated a set of paradigm shifts in the understanding of society, the individual, as well as the cultural matrix that mediates between them. In Homesickness, Carlos Rojas examines an array of Chinese literary and ...(展开全部)

The collapse of China’s Qing dynasty coincided roughly with discoveries that helped revolutionize views of infectious disease. Together, these parallel developments generated a set of paradigm shifts in the understanding of society, the individual, as well as the cultural matrix that mediates between them. In Homesickness, Carlos Rojas examines an array of Chinese literary and ...(展开全部)